![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4duYr2LGtHesuBAgv7S_kYGl7J1N9PCTA3s9hHJfLnqQ-3KsDAJ8PVuyeLbWDtNsCWkELYKLeQOk7wk_glXhISJIYF82sF0BGOYSlg97F7aTfT23G5E6Xq3cTk4_3VmhC6ERXYD469u4/s400/Lion_King_3D_still-500x281.jpg)
Ahead of its Blu-ray/Blu-ray 3D debut on October 4, The Lion King will once again roar into theaters beginning tomorrow for a two-week run in digital 3D.
A few weeks ago I caught a screening and came away with decidedly mixed feelings.
Some scenes are, as you can imagine, a thrill to watch with added dimension. But others—pun—fall flat. Many are stuck uncomfortably in the middle. Certain shots of the lions’ faces seemed to have a bizarre papercraft look.
So The Lion King didn’t make me into a fan of the 2-D to 3-D conversion process for traditionally animated films, which I had been very optimistic about. That said, pretty much anything that gets classic Disney films back on the big screen is a good thing.
But Disney’s resources would probably have been better spent on converting one of Pixar’s gems, like WALL-E or Finding Nemo, to 3-D. (Ratatouille 3-D is confirmed to be in the works.)
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